Why Every Family Edits a Child

Inspired by "Lost and Found" from the ALP Horror Universe by Abhishek Leela Pandey, this essay explores identity, memory, childhood and the hidden ways families shape who we become.

Abhishek Leela Pandey6 Jul 20267 min read4 questions ↓
Black-and-white Indian ink wash painting of a wooden desk with an old family photograph showing a blank silhouette where one person has been scratched away, beside a cracked ceramic bird with a repaired wing in soft window light.

I have worked the lost property counter for nearly a year, long enough to notice that the objects people collect are rarely the ones they came looking for. A woman once arrived insisting she had misplaced a gold bracelet inherited from her grandmother. She left carrying a faded library card from a school that no longer existed, smiling with the quiet bewilderment of someone who had suddenly remembered wanting to become a botanist before life convinced her to become an accountant instead. She thanked me for finding what she had "actually lost." The bracelet, she admitted, could wait.

At first I assumed the drawer behind the counter contained ordinary mistakes, like forgotten umbrellas, chipped toys, spectacles and keys. Yet the longer I worked there, the less convincing that explanation became. Every object seemed connected to a version of its owner that had quietly vanished. A cracked cricket ball reminded a retired surgeon that he had once dreamed of playing professionally. A train ticket returned a businessman to the memory of a girl he almost married before choosing the safer life his parents preferred.

"The objects did not restore memories as much as they restored possibilities."

Then a parcel arrived with my own name written across it. Inside rested a small ceramic bird with one wing imperfectly repaired. The moment I held it, I remembered a child I had not realised I had stopped being. He was noisier, more curious, forever dismantling clocks and radios to discover how invisible things produced visible effects. I remembered spending weeks making the bird in an art class, insisting the broken wing made it more interesting because "everything flies differently after being repaired."

I had no memory of saying those words before opening the parcel. The unsettling part was not recovering the memory. It was recognising how completely that child had disappeared.

When I asked my mother about the bird, she hesitated before smiling politely. After a serious illness in childhood, she explained, everyone had been grateful simply to have me home. My fascination with dismantling objects became dangerous. My endless questions became exhausting. My stubborn independence became frightening. Without anyone planning it, those traits were gently discouraged while quieter habits were rewarded. They never intended to erase a child. They merely encouraged the version they believed was safest.

"They never intended to erase a child. They merely encouraged the version they believed was safest."

We often describe identity as something discovered, as though each person possesses an authentic self waiting patiently beneath experience. Yet families rarely behave as archaeologists uncovering hidden treasures. They behave more like careful gardeners, pruning certain branches so others may flourish. Schools, workplaces and friendships continue the process. Confidence is praised in one environment and condemned in another. Curiosity becomes distraction. Caution becomes wisdom. Over time, encouragement hardens into personality.

One might object that this is simply maturity. People change because circumstances change. Children inevitably become different adults. That is true, but growth and editing are not identical. Growth adds experiences without denying earlier selves. Editing quietly decides which versions deserve remembrance and which are better left unmentioned. The forgotten possibilities do not vanish because they were false; they vanish because they became inconvenient.

I still catalogue every object exactly as I was trained. Each receives a description, an estimated age and a date of loss. The procedure has not changed. Only my understanding has. I no longer assume that the recorded date belongs solely to the object. Sometimes it marks the afternoon a violin was packed away forever. Sometimes it marks the conversation after which a child stopped asking impossible questions. Sometimes it marks the moment someone decided that surviving was more important than remaining entirely themselves.

Perhaps every family keeps such a drawer. The fortunate ones simply never have occasion to open it.

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